Warning: potentialy unpopular opinion inside
#126
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truthfully, I didn't read this entire thread, but I thought I would add that I watched this movie with my husband - I've read the books (after I saw the first one) and he never has. I had to explain several things to him for him to really be able to enjoy it.
I think that to most people if you've read the books the movies are spectacular, if you haven't read the books the movies are average to a little above.
I think the most confusing things to someone who has never read the books would be:
*the difference between Saruman and Saron
*the significance of Aragon (for me Frodo was never really the main character, Aragon is the main character, but I understand that to most people who have only seen the movie it would appear that Frodo is the main character)
*the significance of the elves (particularly where they were sailing to, their place in history and the Arwen/Aragon relationship)
*the general significance of Gondor vs Rohan
*the reason Frodo keeps Gollum around (and also the internal conflict of Gollum vs Smeagol)
*the significance, not to mention magnificence, of the ents
*Gandalfs returns
I really can't think of any way that these things could have been adapted to the screen so that they would be fully understood without making a 10 hour movie.
I think Jackson did the best he could at explaining these things, but really, in order to really appreciate the movies, you must read the books.
These books come with pages and pages of indexes and appendixes. Not to mention the crazy number of characters. I doubt if anyone read the book without flipping back to reread something at least once. It makes since that the movies would be a little confusing and seem incomplete to some people.
I think that to most people if you've read the books the movies are spectacular, if you haven't read the books the movies are average to a little above.
I think the most confusing things to someone who has never read the books would be:
*the difference between Saruman and Saron
*the significance of Aragon (for me Frodo was never really the main character, Aragon is the main character, but I understand that to most people who have only seen the movie it would appear that Frodo is the main character)
*the significance of the elves (particularly where they were sailing to, their place in history and the Arwen/Aragon relationship)
*the general significance of Gondor vs Rohan
*the reason Frodo keeps Gollum around (and also the internal conflict of Gollum vs Smeagol)
*the significance, not to mention magnificence, of the ents
*Gandalfs returns
I really can't think of any way that these things could have been adapted to the screen so that they would be fully understood without making a 10 hour movie.
I think Jackson did the best he could at explaining these things, but really, in order to really appreciate the movies, you must read the books.
These books come with pages and pages of indexes and appendixes. Not to mention the crazy number of characters. I doubt if anyone read the book without flipping back to reread something at least once. It makes since that the movies would be a little confusing and seem incomplete to some people.
#127
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Originally posted by ScandalUMD
I don't think it was Peter Jackson's intention to make them gay either. If it was, he wouldn't have shot the scenes with Sam and Rose Cotten at the beginning of the movie.
I don't think it was Peter Jackson's intention to make them gay either. If it was, he wouldn't have shot the scenes with Sam and Rose Cotten at the beginning of the movie.
#128
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Originally posted by ScandalUMD
Tolkien often claimed that "Lord of the Rings" is not meant to be allegorical, but it is one nonetheless. When he insisted it wasn't an allegory, he meant that his characters do not represent individuals or nations. It is not an allegory about World War II. Certainly, however, themes Tolkien believed in and ideas pertaining to his world view are prevalent in The Lord of the Rings.
Tolkien often claimed that "Lord of the Rings" is not meant to be allegorical, but it is one nonetheless. When he insisted it wasn't an allegory, he meant that his characters do not represent individuals or nations. It is not an allegory about World War II. Certainly, however, themes Tolkien believed in and ideas pertaining to his world view are prevalent in The Lord of the Rings.
Many point to the Scouring of the Shire as Tolkien's reaction to the devastated England after the War, but I tend to discount that allusion. He wanted to show the devastation that war has on a population - and the after affects. This is not a theme that is exclusive to only WWII - it is one that can be applied to any war.
Look, for examply, at the recurring theme of mercy; mercy toward Gollum, towards Wormtongue, towards Saruman. Though Tolkien expressly wished for Middle Earth to be a mythology independent of Christianity, this key Christian principle plays heavily and repeatedly within the story. Note also Gandalf's death and resurrection.
There is certainly an allegorical statement in Tolkien's condemnation of technology and industry. Tolkien's opinion of what industry did to the English countryside is well documented, and his opinions about machines are unambiguous in the books.
The very notion of mythologizing the English countryside is allegorical in itself because it romanticizes that era and, by extension the social structure that supported it.
The industrial revolution that Tolkien condemns was a democratic revolution which disrupted the aristocratic system of social immobility among the lower classes and of success through birth for the royalty.
In "Lord of the Rings," Tolkien implicitly supports such a system. Why is Aragorn better suited than Faramir to rule Gondor? The House of the Stewards was defending their beseiged country while the line of Elendil was tramping around in the woods. But Aragorn is of the royal bloodline, so of course Faramir must step aside. Tolkien even introduces an element of divine right by enabling Aragorn to ride through the Paths of the Dead.
In "Lord of the Rings," Tolkien implicitly supports such a system. Why is Aragorn better suited than Faramir to rule Gondor? The House of the Stewards was defending their beseiged country while the line of Elendil was tramping around in the woods. But Aragorn is of the royal bloodline, so of course Faramir must step aside. Tolkien even introduces an element of divine right by enabling Aragorn to ride through the Paths of the Dead.
Admittedly, there are Hobbits who are rich and those who are poor - and Sam Gamgee is an example of the latter. While he does "serve" Frodo (he's the gardener), he is not a slave - nor does he exclusively work for him.
Sam and Frodo, similarly, are not "brothers in arms." Sam is Frodo's servant. Frodo is master of Bag End by birth, and, by birth, Sam's job is to tend Frodo's garden. Sam is fiercely loyal and dedicated to his master, because he must be, or the aristocratic social structure Tolkien has aligned with the side of "good" is as problematic in Middle Earth as it is in reality.
Sam is fiercely loyal with Frodo because they are best friends. Yes there is a modicum of subservient behaviour displayed by the Gamgee's towards the Baggins, but how is that any different from present day society? Or Tolkien-day society? The bottom line is that Frodo and Sam are great friends, and the entire point of their journey is to prove that the bonds of friendship can overcome anything. Perhaps Sam feels that Frodo is his "master" to some degree, but there is a definite bond of loyalty through mutual love and affection (platonic of course!) for eachother.
Thus, Sam must be happy with his status as Frodo's gardener, and if Faramir must be willing to cede the throne of Gondor to Aragorn.
In any case, I doubt you'd agree with the idea that Tolkien intended to suggest Frodo and Sam are having gay sex.
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-matt