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Old 10-05-13, 01:00 AM
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Re: The Hobbit: The Desolation of Smaug (2013)

In the first pic he looks like Kevin Costner cosplaying as Sabertooth.
Old 10-05-13, 08:26 AM
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Re: The Hobbit: The Desolation of Smaug (2013)

Zathras live for the One, Zathras die for the One.
Old 10-05-13, 08:35 AM
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Re: The Hobbit: The Desolation of Smaug (2013)

Originally Posted by Josh-da-man
Zathras live for the One, Zathras die for the One.
Holy shit! You're right!
Old 10-05-13, 11:24 AM
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Re: The Hobbit: The Desolation of Smaug (2013)

First thing I thought of was the Thundercats.
Old 10-05-13, 12:50 PM
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Re: The Hobbit: The Desolation of Smaug (2013)

Originally Posted by mndtrp
First thing I thought of was the Thundercats.
Yes!
Old 10-05-13, 02:35 PM
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Re: The Hobbit: The Desolation of Smaug (2013)

*hums MacGyver theme*
Old 10-05-13, 04:42 PM
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Re: The Hobbit: The Desolation of Smaug (2013)

Looks like we are finally seeing del toro's influence.
Old 10-05-13, 06:43 PM
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Re: The Hobbit: The Desolation of Smaug (2013)

Originally Posted by covenant
Looks like we are finally seeing del toro's influence.
Yes, because clearly we hadn't seen it before.



They braided his fucking eyebrows and made one of his thumbs into a penis.
Old 10-05-13, 06:47 PM
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Re: The Hobbit: The Desolation of Smaug (2013)

Original concept art for Beorn.

Spoiler:



Old 10-05-13, 07:07 PM
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Re: The Hobbit: The Desolation of Smaug (2013)



Well played.
Old 10-05-13, 09:26 PM
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Re: The Hobbit: The Desolation of Smaug (2013)

Originally Posted by RocShemp
Yes, because clearly we hadn't seen it before.
I wonder which of his GDT design elements, if any, will wind up in the trilogy when all was said and done, the first felt like 100% Jackson to me. How much was the film split when he was involved, did he work on designs stuff for what would become all three films? He talked about designing the spiders and stuff, so I assume he worked on most of the Hobbit proper, and PJ started more or less from scratch when he came on? The "creative consultant" thing is kind of nebulous.

They braided his fucking eyebrows and made one of his thumbs into a penis.
You have no idea how much I did not need that image. What does that have to do with del Toro.

Originally Posted by Dr. DVD
Looks like he escaped from the island of Dr. Moreau, or an 80s hair band.
Neither are nice places.

Originally Posted by Giles
is that a rhetorical question or do you really want someone to answer?
Why would it be a rehtorical question? Am I expected to have polymathic knowledge of cinema history ?

Originally Posted by Jay G.
Here's a rough timeline:
https://en.wikipedia.org/wiki/Digital_cinema

So it looks like around 2006 was the tipping point. I recall Lucas was keen on Revenge of the Jedi (2005) being released all digitally, but I don't think that happened.
Figures he'd be a key figure in it . It probably wasn't that difficult for a huge chain like AMC, but apparently it's still hurting smaller cinemas pretty hard in some places, especially given how scarce how 35mm prints have obviously become.

Correct, the original negative was scanned in, and all post-processing was done digitally. I think FOTR had only a fraction done digitally at first, but they went back and did it all digitally before the Blu-ray release.
Did Jackson Lucas it and change stuff on the BR?

I guess it depends on what you're referring to as "the image." If it's a digital camera capturing the real world, then the limit on what image information it could capture extends down to literally the atomic level. This is why we have things like a 41MP camera phone (7728 x 5368, or near 8K).
I don't know, I mean even then, wouldn't it require a huge screen? Wouldn't having a player which could handle 4K for home viewing be sort of redundant unless you had a super-powerful projector? I mean, on my 38-inch TV, would it be a hugely marked difference? Obviously, the level of detail will vary depending on what medium it is and what the artist wants to depict, of course.

If you're talking about scanning in film to digital, there may be limits. The film grain defines the limit on the detail in a film image, so you'd want a digital resolution with parity to the film grain. Some think that's 4K for 35mm film, some 6K.
http://forum.blu-ray.com/showthread.php?t=57063
In the special features on the James Bond DVDs, Lowry argue that 4K is slightly higher than the resolution of 35mm.

Finally, there's the question of what the average human eye could perceive in a given image.
That was what I was getting at. Even if it doesn't come to a point where it's redundant in technical terms, mightn't there be one where you'd have to have your face pressed against the screen to see the difference in image quality?

Both image size and resolution affect this. At a certain point, at a given distance for a given image size, most people aren't going to notice an increase in resolution. But if you make the image larger, you're going to need a higher resolution. For example, 8K digital is considered what is necessary to get the level of detail 70mm film provides.
That's what I was wondering. Especially for home viewing, and even for the cinema, I would think there'd come a point when you could see pretty much all there was to see at a certain distance with the naked. I guess IMAX not withstanding.

Yes, digital is still a series of still frames, exposed for a set amount of time, several times a second. The light enters the camera and hits a sensor which converts the light into an electronic signal, which is then stored onto some physical media, whether tape, hard drive, memory card, etc. More info on how digital cameras work here:
http://electronics.howstuffworks.com...al-camera2.htm
Thanks.
Old 10-05-13, 09:31 PM
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Re: The Hobbit: The Desolation of Smaug (2013)

Originally Posted by hanshotfirst113
I wonder which of his GDT design elements, if any, will wind up in the trilogy when all was said and done, the first felt like 100% Jackson to me. How much was the film split when he was involved, did he work on designs stuff for what would become all three films? He talked about designing the spiders and stuff, so I assume he worked on most of the Hobbit proper, and PJ started more or less from scratch when he came on? The "creative consultant" thing is kind of nebulous.



You have no idea how much I did not need that image. What does that have to do with del Toro.
When Del Toro was to direct, he designed Thorin with giant thorn-like "antlers" because he felt that the name Thorin sounded like "thorn" and therefor he should have a crown of thorns. The more outlandish looks of the Dwarves, like the aforementioned Nori (though I only mentioned the penis-thumb in jest) and now Beorn (who was not described as such in the book) seem more in keeping with Del Toro's aesthetic than that of Jackson's.
Old 10-05-13, 10:08 PM
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Re: The Hobbit: The Desolation of Smaug (2013)

Originally Posted by hanshotfirst113
Did Jackson Lucas it and change stuff on the BR?
Jackson didn't make any editorial changes. The cuts are the same, the audio's the same, the CGI's the same, and the lighting's the same. There was some controversy about the tinting on the EE version of FOTR on Blu-ray, with some feeling it too green or blue in certain scenes:
http://social.entertainment.msn.com/...1-5242860255f2

Here's a comparison video:

http://www.youtube.com/watch?v=Vwcm-73kZE8



And here's a documentary about the digital color grading in FOTR:


http://www.youtube.com/watch?v=yr3fMPUqlhQ


http://www.youtube.com/watch?v=kjt18bUUOXk


It should be noted that the Star Wars trilogy has had its own series of color grading issues over the years, but that usually gets overshadowed by the more immediately apparent editorial changes Lucas has made.
Old 10-06-13, 08:04 AM
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Re: The Hobbit: The Desolation of Smaug (2013)

Originally Posted by Jay G.
Jackson didn't make any editorial changes. The cuts are the same, the audio's the same, the CGI's the same, and the lighting's the same. There was some controversy about the tinting on the EE version of FOTR on Blu-ray, with some feeling it too green or blue in certain scenes:
http://social.entertainment.msn.com/...1-5242860255f2

Here's a comparison video:

http://www.youtube.com/watch?v=Vwcm-73kZE8
This isn't a deliberate change, it's a fuck-up. Somewhere, somehow, in the production process, the green got punched up and nobody noticed caught it. The entire movie looks terrible. I remember on another board that someone went through and compared screen shots of the theatrical blu-ray and the extended blu-ray and discovered that the green had been consistently pushed up in every single pixel. Not to mention that the blacks have also been crushed to shit, rendering dark scenes nearly unwatchable.

And of course nobody involved will acknowledge the mistake.
Old 10-06-13, 09:27 AM
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Re: The Hobbit: The Desolation of Smaug (2013)

Yeah, I don't think we need to re-visit the whole color tinting thing with FOTR - I'll have a fucking aneurysm. Not because they're wrong but because I initially started out as one of the bashers and when I got the Blu-ray set of EE's I couldn't even tell the difference. I was like is this what I almost popped a blood vessel for? It looks great! To date, every single demo or screengrab DOES NOT reflect what the actual Blu-ray looks like.

/offtopic
Old 10-06-13, 01:34 PM
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Re: The Hobbit: The Desolation of Smaug (2013)

Yeah, the EE looks fine. But then I always felt that the TE of FOTR looked subpar compared to the transfers of the sequels. I know they claimed that they figured out a better way to do it when TTT went into post production but it still irked me and I was surprised they didn't use a brand new master for the TE BD of FOTR.
Old 10-08-13, 09:51 AM
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Re: The Hobbit: The Desolation of Smaug (2013)

Originally Posted by RocShemp
When Del Toro was to direct, he designed Thorin with giant thorn-like "antlers" because he felt that the name Thorin sounded like "thorn" and therefor he should have a crown of thorns.
Hmm. Perhaps it's best that he didn't wind up directing it.

The more outlandish looks of the Dwarves, like the aforementioned Nori (though I only mentioned the penis-thumb in jest) and now Beorn (who was not described as such in the book) seem more in keeping with Del Toro's aesthetic than that of Jackson's.
Yes, well, now the penis-thumb is imprinted in my brain forever, thank you .

Originally Posted by Jay G.
Jackson didn't make any editorial changes. The cuts are the same, the audio's the same, the CGI's the same, and the lighting's the same. There was some controversy about the tinting on the EE version of FOTR on Blu-ray, with some feeling it too green or blue in certain scenes:
http://social.entertainment.msn.com/...1-5242860255f2
Interesting. There was actually some talk about the changes of the color grading in first Matrix movie when the ultimate DVD collection came out, and a friend of my who does home video QC actually remember getting caught between his boss and a director about how the film was supposed to look, so I'm wondering how commonplace this kind of thing is.

It should be noted that the Star Wars trilogy has had its own series of color grading issues over the years, but that usually gets overshadowed by the more immediately apparent editorial changes Lucas has made.
Before the 1997 edition, you mean? Because my assumption was that they scanned the film digitally for the first time to create the SE. When they did that, I'm sure Lucas and co. made any number of changes, but as you said, more people focused on the other stuff.

Originally Posted by Josh-da-man
This isn't a deliberate change, it's a fuck-up. Somewhere, somehow, in the production process, the green got punched up and nobody noticed caught it. The entire movie looks terrible. I remember on another board that someone went through and compared screen shots of the theatrical blu-ray and the extended blu-ray and discovered that the green had been consistently pushed up in every single pixel. Not to mention that the blacks have also been crushed to shit, rendering dark scenes nearly unwatchable.

And of course nobody involved will acknowledge the mistake.
It amazes me that people in professional positions who sell things to millions of people can get away with this "deliberate creative decision" stuff. Hopefully they'll do a new encode for the inevitable big-ass boxed set when both trilogies are done, but I wouldn't hold my breath.

Originally Posted by Why So Blu?
Yeah, I don't think we need to re-visit the whole color tinting thing with FOTR - I'll have a fucking aneurysm. Not because they're wrong but because I initially started out as one of the bashers and when I got the Blu-ray set of EE's I couldn't even tell the difference. I was like is this what I almost popped a blood vessel for? It looks great! To date, every single demo or screengrab DOES NOT reflect what the actual Blu-ray looks like.


Originally Posted by RocShemp
Yeah, the EE looks fine. But then I always felt that the TE of FOTR looked subpar compared to the transfers of the sequels. I know they claimed that they figured out a better way to do it when TTT went into post production but it still irked me and I was surprised they didn't use a brand new master for the TE BD of FOTR.
It sounds like it's a case of the encoding the post production rather than the masters themselves.
Old 10-08-13, 10:21 AM
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Re: The Hobbit: The Desolation of Smaug (2013)

Originally Posted by hanshotfirst113
Before the 1997 edition [of Star Wars], you mean? Because my assumption was that they scanned the film digitally for the first time to create the SE.
Actually, there was tinkering done prior to 97:
http://en.wikipedia.org/wiki/List_of...pecial_Edition
The color timing in the 1993 Definitive Collection Laserdisc version was altered slightly in the scene with R2-D2 in the canyon before he is captured by the Jawas. This same transfer was also used in 1995 for the "Faces" set. The original version of the scene takes place in daylight, while the color in the 1993 version is adjusted to make it appear more like twilight.
Also, the 97 SEs weren't full digital restorations. Only the FX shots were scanned digitally, the remaining shots were restored chemically. The deteriorated state of the negatives in 97 led to the need for a lot of color correction:
http://secrethistoryofstarwars.com/savingstarwars.html

It sounds like it's a case of the encoding the post production rather than the masters themselves.
For the TE Blu-ray of FOTR, they used a transfer of a theatrical print of the film, as that film didn't have a full DI for the entire film, yet. The TEs of TTT and ROTK looked better because they always had a full DI.

As for whether the green tint is noticeable on the FOTR EE, Why So Blu? is correct that a lot of people have reported it being not that noticeable on a lot of TV setups. The comparison images online highlight the difference, but when watching the Blu-ray, most people end up just watching the film and not looking for the tint.
Old 10-08-13, 10:30 AM
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Re: The Hobbit: The Desolation of Smaug (2013)

So many acronyms. My head is about to explode.
Old 10-14-13, 02:24 AM
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Re: The Hobbit: The Desolation of Smaug (2013)

Really want to see that movie
Old 10-14-13, 08:54 PM
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Re: The Hobbit: The Desolation of Smaug (2013)

I see this one doing just about as good worldwide as the first Hobbit, but perhaps fizzling after one weekend in the U.S. due to the second Anchorman movie. These movies seem geared toward the overeseas market as much as domestic.
Old 10-14-13, 08:59 PM
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Re: The Hobbit: The Desolation of Smaug (2013)

Originally Posted by Dr. DVD
I see this one doing just about as good worldwide as the first Hobbit, but perhaps fizzling after one weekend in the U.S. due to the second Anchorman movie. These movies seem geared toward the overeseas market as much as domestic.
The first Hobbit film made:

303,003,568 domestically.

http://boxofficemojo.com/movies/?id=hobbit.htm

I doubt it'll bomb. People are gearing up for it,
Old 10-14-13, 09:57 PM
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Re: The Hobbit: The Desolation of Smaug (2013)

I've heard a lot of people say that the trailers for this one have them more interested than the first one.
Old 10-14-13, 10:06 PM
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Re: The Hobbit: The Desolation of Smaug (2013)

My understanding is that when you factor in all of the overseas profits and the fact the production was split between the three films, the first one made a pretty good chunck of change, if not quite up to what the first trilogy did. I hate waiting a year between these, I suppose that's a compliment in and of itself. The probably won't win the oscars the first trilogy did, but that's OK, I'm having fun all the same.

Last edited by hanshotfirst1138; 10-18-13 at 10:26 AM.
Old 10-16-13, 12:38 AM
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Re: The Hobbit: The Desolation of Smaug (2013)

Originally Posted by Supermallet
I've heard a lot of people say that the trailers for this one have them more interested than the first one.
I just rewatched the first Hobbit movie and it was better than I thought on first viewing. The ridiculous falls they survive in the second half are still ridiculous, but it was a pretty decent film. I think the main problem is that it hits so many of the same notes as the original trilogy (especially the eagles) that it feels a bit repetitive, but I have hopes for the remaining two. The trailers for the second movie have been solid.


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